eBook For The Oxford Handbook of Shakespeare and Race 1st Edition By Patricia Akhimie
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Table of Contents
1. Introduction, Patricia Akhimie
PART I. SHAKESPEARE AND RACE: AN OVERVIEW
2. Shakespeare and Critical Race Theory, Urvashi Chakravarty
3. Shakespeare, Race, and Feminist Critique, Jean E. Howard
4. Naturalizing Race and Racialized Geographies, Debapriya Sarkar
5. ‘Thrice fairer than myself’: Reading Desire and the Ends of Whiteness in Venus and Adonis, Dennis Britton
6. The Imperatives of Race-Consciousness in Twenty-First Century Shakespearean Performance, Farah Karim-Cooper
7. Shakespeare and Race: The Oral Histories, Carla Della Gatta
8. Shakespeare, Race, and Adaptation, Joyce Green MacDonald
PART II. ARCHIVES AND INTERSECTIONS
9. The Oral Histories: Identity, Carla Della Gatta
10. Monstrous Indigeneity and the Discourse of Race in Shakespeare’s England, Scott Manning Stevens
11. Shakespeare, Race, and Queer Studies, Mario DiGangi
12. Shakespeare, Race, and Disability: Othello and the Wheeling Strangers of Here and Everywhere, Amrita Dhar
13. Trans Studies at the Crossroad: From Racialized Invisibility to Legibility, Alexa Alice Joubin
14. Racialized Genders on the Shakespearean Stage, Abdulhamit Arvas
15. Shakespeare and Mixed Race, Kyle Grady
16. ‘Give me conquer’d Egypt’: Re-Orienting Egypt in Shakespeare’s Antony and Cleopatra , Ambereen Dadabhoy
17. Coordinating Racisms in The Merchant of Venice, M. Lindsay Kaplan
18. Shakespeare, Race, and Spain, Emily Weissbourd
19. Melancholy Nature: Religion and Bad Faith in Shakespeare, Kimberly Anne Coles
20. Shakespeare, Race, and Movement, Elisa Oh
21. The Oral Histories: On Corporeality, Carla Della Gatta
22. Dispossessed and Unaccommodated: Race and Animality in King Lear, Holly Dugan
23. ‘Let fair humanity abhor the deed’: Shakespeare, Race, and Human Rights, Kirsten Mendoza
24. Shakespeare, Race, and Science: The Study of Nature and/as the Making of Race, Jennifer Park
25. Race in Repertory, David McInnis
26. ‘Rac’d all over their Bodies’: Charting the Study of Shakespeare, Race, and Book History, Miles P. Grier
PART III. SHAKESPEARE AND RACE NOW
27. An Interview with Artist Fred Wilson, July 30, 2021, Peter Erickson and Lisa Graziose Corrin
28. Shakespeare and Race on Screen: Racial Journeys in Indian Cinema, Amrita Sen
29. Casting Shakespeare Today, Carla Della Gatta
30. The Oral Histories: Creating Spaces, Carla Della Gatta
31. Shakespeare, Race, and Appropriation, Vanessa I. Corredera
32. The Oral Histories: Staging Shakespeare and Race, Carla Della Gatta
33. Editing Shakespeare and Race, Brandi K. Adams
34. Translation at the Intersections of Shakespeare and Race, Alfredo Michel Modenessi
35. The Oral Histories: Approaches to Acting and Staging, Carla Della Gatta
36. Teaching Shakespeare and Race in Secondary Classrooms: Professional and Political Dimensions of Evolving Pedagogies for Diverse Classrooms, Laura Turchi
37. ‘In her prophetic fury’: Teaching Critical Modes of Intervention in Shakespeare Studies, Nedda Mehdizadeh
38. Resisting Analogies: Refusing Other Othellos in Shakespearean Cinema, Rebecca Kumar
39. Teaching Shakespeare and Race: Techniques and Technologies, Jonathan Burton
40. Teaching Shakespeare and Race in Communities of Colour: Reflections from the US Mexico Border, Ruben Espinosa
41. The Oral Histories: My Relationship with Shakespeare, Carla Della Gatta
42. ‘Reading’ Shakespeare as Political Activism, Kim F. Hall
PART I. SHAKESPEARE AND RACE: AN OVERVIEW
2. Shakespeare and Critical Race Theory, Urvashi Chakravarty
3. Shakespeare, Race, and Feminist Critique, Jean E. Howard
4. Naturalizing Race and Racialized Geographies, Debapriya Sarkar
5. ‘Thrice fairer than myself’: Reading Desire and the Ends of Whiteness in Venus and Adonis, Dennis Britton
6. The Imperatives of Race-Consciousness in Twenty-First Century Shakespearean Performance, Farah Karim-Cooper
7. Shakespeare and Race: The Oral Histories, Carla Della Gatta
8. Shakespeare, Race, and Adaptation, Joyce Green MacDonald
PART II. ARCHIVES AND INTERSECTIONS
9. The Oral Histories: Identity, Carla Della Gatta
10. Monstrous Indigeneity and the Discourse of Race in Shakespeare’s England, Scott Manning Stevens
11. Shakespeare, Race, and Queer Studies, Mario DiGangi
12. Shakespeare, Race, and Disability: Othello and the Wheeling Strangers of Here and Everywhere, Amrita Dhar
13. Trans Studies at the Crossroad: From Racialized Invisibility to Legibility, Alexa Alice Joubin
14. Racialized Genders on the Shakespearean Stage, Abdulhamit Arvas
15. Shakespeare and Mixed Race, Kyle Grady
16. ‘Give me conquer’d Egypt’: Re-Orienting Egypt in Shakespeare’s Antony and Cleopatra , Ambereen Dadabhoy
17. Coordinating Racisms in The Merchant of Venice, M. Lindsay Kaplan
18. Shakespeare, Race, and Spain, Emily Weissbourd
19. Melancholy Nature: Religion and Bad Faith in Shakespeare, Kimberly Anne Coles
20. Shakespeare, Race, and Movement, Elisa Oh
21. The Oral Histories: On Corporeality, Carla Della Gatta
22. Dispossessed and Unaccommodated: Race and Animality in King Lear, Holly Dugan
23. ‘Let fair humanity abhor the deed’: Shakespeare, Race, and Human Rights, Kirsten Mendoza
24. Shakespeare, Race, and Science: The Study of Nature and/as the Making of Race, Jennifer Park
25. Race in Repertory, David McInnis
26. ‘Rac’d all over their Bodies’: Charting the Study of Shakespeare, Race, and Book History, Miles P. Grier
PART III. SHAKESPEARE AND RACE NOW
27. An Interview with Artist Fred Wilson, July 30, 2021, Peter Erickson and Lisa Graziose Corrin
28. Shakespeare and Race on Screen: Racial Journeys in Indian Cinema, Amrita Sen
29. Casting Shakespeare Today, Carla Della Gatta
30. The Oral Histories: Creating Spaces, Carla Della Gatta
31. Shakespeare, Race, and Appropriation, Vanessa I. Corredera
32. The Oral Histories: Staging Shakespeare and Race, Carla Della Gatta
33. Editing Shakespeare and Race, Brandi K. Adams
34. Translation at the Intersections of Shakespeare and Race, Alfredo Michel Modenessi
35. The Oral Histories: Approaches to Acting and Staging, Carla Della Gatta
36. Teaching Shakespeare and Race in Secondary Classrooms: Professional and Political Dimensions of Evolving Pedagogies for Diverse Classrooms, Laura Turchi
37. ‘In her prophetic fury’: Teaching Critical Modes of Intervention in Shakespeare Studies, Nedda Mehdizadeh
38. Resisting Analogies: Refusing Other Othellos in Shakespearean Cinema, Rebecca Kumar
39. Teaching Shakespeare and Race: Techniques and Technologies, Jonathan Burton
40. Teaching Shakespeare and Race in Communities of Colour: Reflections from the US Mexico Border, Ruben Espinosa
41. The Oral Histories: My Relationship with Shakespeare, Carla Della Gatta
42. ‘Reading’ Shakespeare as Political Activism, Kim F. Hall
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